Title: The Third Man, (1949)

URL:
  http://www.imdb.com/Title?Third%20Man%2C%20The%20%281949%29

Aka Titles:
  3rd Man, The (1950) (USA) (poster title)
  Dritte Mann, Der (1949) (West Germany)
  Terzo uomo, Il (1949) (Italy)

Tag Line:
  Hunted by men...Sought by WOMEN! 

  HUNTED...By a thousand men! Haunted...By a lovely girl! 


Production Company:
  British Lion Film Corporation [uk]
  Selznick Releasing Organization
  London Film Productions [uk]

Distributor:
  Lion International Films [uk]
  Selznick Distributing Corporation

Country of Production:
  UK

Certificates:
  UK:PG
  USA:Unrated
  Finland:K-16
  Germany:12
  Sweden:15

Running Time:
  UK:100
  USA:93
  Sweden:104

Filmed In:
  Black and White

Sound Mix:
  Mono

Technical Info:
  Negative Format: 35 mm
  Process: Spherical
  Print Format: 35 mm
  Aspect Ratio: 1.37 : 1

Release Date:
  UK:3 September 1949
  Denmark:19 October 1949
  Sweden:26 October 1949
  Finland:13 January 1950
  USA:February 1950
  Denmark:30 November 1959 (re-release)
  Denmark:2 October 1967 (re-release)
  Denmark:3 June 1968 (re-release)
  USA:May 1999 (re-release)
  UK:16 July 1999 (re-release)
  Australia:2 December 1999 (re-release)
  Denmark:25 December 1999 (re-release)

Locations:
  Isleworth, Middlesex, England, UK
  Vienna, Austria

Language:
  English
  German

Summary:
  An out of work pulp fiction novelist, Holly Martins,  arrives  in  a
  post  war  Vienna divided into sectors by the victorious allies, and
  where a shortage  of  supplies  has  lead  to  a  flourishing  black
  market.  He  arrives at the invitation of an ex-school friend, Harry
  Lime, who has offered him a job, only  to  discover  that  Lime  has
  recently  died  in  a  peculiar  traffic  accident.  From talking to
  Lime's friends and associates Martins soon notices that some of  the
  stories  are  inconsistent,  and  determines to discover what really
  happened to Harry Lime. 

Summary by:
  Mark Thompson 

Summary:
  An  American  pulp  writer  arrives in post-WWII Vienna only to find
  that the friend who  waited  for  him  is  killed  under  mysterious
  circumstances.  The  ensuing  mystery  entangles him in his friend's
  involvement in the black market, with the multinational police,  and
  with his Czech girlfriend. 

Summary by:
  Keith Loh 

Summary:
  Holly Martins, scrittore canadese, si reca a Vienna alla fine  della
  Seconda  Guerra  Mondiale,  chiamato  dal  suo amico Harry Lime, per
  aiutarlo nelle  sue  iniziative  umanitarie.  Giunto  a  Vienna,  lo
  scrittore  apprende  che  Harry è morto e che, probabilmente, le sue
  iniziative non erano affatto umanitarie.  Chi  era  realmente  Harry
  Lime?  Quale  torbidi affari svolgeva? E' realmente morto? Un giorno
  Holly conosce Anna, la donna che ama Harry e quella sera...un  gatto
  salta  verso la strada; due scarpe nascoste nella notte; la cetra di
  Anton Karas; il raggio di luce di un lampione; un  volto  nel  buio:
  Orson Welles, basta una apparizione a fare la Storia del Cinema! 

Summary by:
  rosebud6

Genres:
  Mystery  Thriller

Keywords:
  sewer  occupation  fake-death  post-wwii  twist-in-the-end  staged-death
  stakeout  famous-entrance  famous-score  ferris-wheel  cemetery  author
  classic  chase  vienna  zither  austria  betrayal  racketeering  murder
  man-hunt  friendship  post-war  escape  europe

Producers:
  Alexander Korda
  Hugh Perceval (associate)
  Carol Reed
  David O. Selznick

Director:
  Carol Reed

Writers: (credits order)
  Graham Greene (I) (story)  and
  Alexander Korda (story)

  Graham Greene (I)

  Carol Reed (uncredited)  and
  Orson Welles (uncredited)

Composer:
  Anton Karas

Cinematographer:
  Robert Krasker

Editor:
  Oswald Hafenrichter

Assistant Director:
  Guy Hamilton (I) (assistant director)

Production Manager:
  T.S. Lyndon-Haynes (production manager)

Sound:
  John Cox (I) (sound supervisor)
  Jack Drake (sound editor)
  Red Law (sound recordist)
  Bert Ross (sound recordist)

Make-Up:
  George Frost (makeup artist)
  J. Shear (hair stylist)

Verified Complete Cast: (credits order)
  Joseph Cotten ..................... Holly Martins
  Alida Valli (as Valli) ............ Anna Schmidt
  Orson Welles ...................... Harry Lime
  Trevor Howard ..................... Major Calloway
  Paul Hörbiger (as Paul Hoerbiger) .. Porter
  Ernst Deutsch ..................... "Baron" Kurtz
  Erich Ponto ....................... Dr. Winkel
  Siegfried Breuer .................. Popescu
  Hedwig Bleibtreu .................. Old Woman
  Bernard Lee (I) ................... Sergeant Paine
  Wilfrid Hyde-White ................ Crabbin

Remainder of Cast: (alphabetical order)
  Nelly Arno (uncredited) ........... Kurtz' Mother
  Leo Bieber (uncredited) ........... Barman (Casanova)
  Alexis Chesnakov (uncredited) ..... Brodsky
  Herbert Halbik (uncredited) ....... Hansel
  Paul Hardtmuth (uncredited) ....... Hall porter
  Geoffrey Keen (uncredited) ........ British Policeman
  Carol Reed (uncredited) (voice) ... Opening narrator (UK version)
  Annie Rosar (uncredited) .......... Porter's wife
  Frederick Schreicker (uncredited) .. Hansel's Father
  Jenny Werner (uncredited) ......... Winkel's Maid

Miscellaneous:
  Ivy Baker (wardrober)
  Joseph Bato (set designer)
  Fernand Bellan (assistant art director) (as Ferdinand Bellan)
  Denys N. Coop (camera operator) (as Denys Coop)
  Esther Harris (trailer)
  John Hawkesworth (set designer)
  Anton Karas (musician: zither)
  Vincent Korda (set designer)
  Peggy McClafferty (continuity)
  Elizabeth Montagu (austrian advisor)
  Stanley Pavey (additional photographer) (as Stan Pavey)
  James Sawyer (assistant art director)
  Edward Scaife (camera operator) (as E. Scaife)
  Peter Taylor (I) (assembly cutter)
  John Wilcox (I) (additional photographer)

Crew verified as complete.

Movie Links:
  (remade as Treca zena (1997))
  (referenced in Long Goodbye, The (1973))
  (referenced in Alligator (1980))
  (referenced in Brazil (1985))
  (referenced in Living Daylights, The (1987))
  (referenced in Spoorloos (1988))
  (referenced in Guilty by Suspicion (1991))
  (referenced in Fugitive, The (1993))
  (referenced in Pickle, The (1993))
  (referenced in Close Shave, A (1995))
  (referenced in Before Sunrise (1995))
  (referenced in Nacht der Gaukler (1997))
  (spoofed in Make Mine Mink (1960))
  (featured in Man Who Fell to Earth, The (1976))
  (featured in Hôtel du paradis (1986))
  (featured in Heavenly Creatures (1994))
  (featured in Personal History of British Cinema by Stephen Frears, A (1994) (TV))
  (featured in Leaving Las Vegas (1995))
  (featured in Mi nombre es sombra (1996))
  (featured in Treca zena (1997))

Trivia:
- 'Welles, Orson' (qv) wrote all of his own lines in the picture and
  practically directed the scenes in which he appeared. He considered using
  a double for some of the sewer shots because he was asthmatic and afraid
  of the cold and damp air in the corridors.

- Orson Welles starred in a radio series ("The Lives of Harry Lime,"
  1951-52) based on the early adventures of his character in The Third Man.

Goofs:
- CONT: The dog and the book briefly change between Kurtz' two hands when
  he is being shown where Lime was hit by a truck.

- BOOM: As Holly is taken to the lecture, the car he is in turns around a
  corner (to the left on the screen) and the boom follows the car from the
  shadows.

- CONT: The position of Anna's neck ribbon when she and Holly first talk.

- CONT: Anna's dark jacket under her overcoat appears and disappears as the
  authorities search her apartment.

- FACT: Harry Lime says Switzerland produced the cuckoo clock.	In fact,
  cuckoo clocks are produced in the Black Forest region of Germany.

Quotes:
Calloway: You don't know what you're mixing in. Why don't you catch
  the next plane?
Martins: I'll catch the next plane as soon as I get to the bottom of
  this.
Calloway: Death's at the bottom of everything, Martins. Leave death
  to the professionals.
Martins: You mind if I use that line in my next Western?

Martins: Callahan!
Calloway: Calloway, not Callahan. I'm English, not Irish.

Martins: Have you ever visited the children's hospital? Have you seen
  any of your victims?
Harry Lime: Victims? Don't be melodramatic, Holly. Look down there.
  Would you really feel any pity if one of those dots stopped moving
  - forever? If I said you could have twenty thousand pounds for
  every dot that stops, would you really, old man, tell me to keep my
  money - without hesitation? Or would you calculate how many dots
  you could afford to spare? Free of income tax, old man. Free of
  income tax. It's the only way to save nowadays.

Popescue: She ought to go careful. Everyone ought to go careful in a
  city like this.

Martins: I guess nobody really knew Harry like he did...like I did.
  He was the best friend I ever had.
Calloway: That sounds like a cheap novelette.
Martins: Well, I write cheap novelettes.

Calloway: Next time we'll use a foolproof coffin.

Harry Lime: In Italy for 30 years under the Borgias they had warfare,
  terror, murder, and bloodshed, but they produced Michelangelo,
  Leonardo da Vinci, and the Renaissance. In Switzerland they had
  brotherly love - they had 500 years of democracy and peace, and
  what did that produce? The cuckoo clock.


Soundtrack:
- "The Third Man Theme"
  Written by Anton Karas
  Performed by Anton Karas

Alternate Versions:
- The UK version features introductory voice-over by the director 
  'Carol Reed' (qv); in the US version 'Joseph Cotten' (qv) provides the 
  voice-over.  The UK version runs 104 minutes, versus the US version at 
  93 minutes.

Literature:
  Critics:
    Errigo, Angie. In: Empire (UK). August 1999. p. 26. (MG)
    Ferreira, Manuel Cintra. In: Expresso, Cartaz (Portugal). 28.11.1998. (WNP)
    Björkman, Carl. 'Den tredje mannen' på China. In: Dagens Nyheter (Sweden), 27 October 1949 (NP)


Business Info:
  Opening Weekend Box Office:
    £17,856 (UK) (18 July 1999) (4 screens)
    $13,576 (USA) (9 May 1999) (1 screen) (re-issue)

  Box Office Gross:
    £52,824 (UK) (25 July 1999)
    £17,856 (UK) (18 July 1999)
    $596,349 (USA) (19 December 1999)
    $589,702 (USA) (12 December 1999)
    $576,671 (USA) (21 November 1999)
    $564,588 (USA) (7 November 1999)
    $554,956 (USA) (31 October 1999)
    $541,864 (USA) (24 October 1999)
    $530,134 (USA) (17 October 1999)
    $524,685 (USA) (10 October 1999)
    $518,600 (USA) (3 October 1999)
    $509,870 (USA) (26 September 1999)
    $494,610 (USA) (19 September 1999)
    $481,071 (USA) (12 September 1999) (re-issue)
    $451,504 (USA) (5 September 1999) (re-issue)
    $425,805 (USA) (29 August 1999) (re-issue)
    $402,126 (USA) (22 August 1999) (re-issue)
    $364,364 (USA) (15 August 1999) (re-issue)
    $292,356 (USA) (1 August 1999) (re-issue)
    $266,619 (USA) (25 July 1999) (re-issue)
    $258,265 (USA) (18 July 1999) (re-issue)
    $247,730 (USA) (11 July 1999) (re-issue)
    $230,752 (USA) (4 July 1999)
    $205,771 (USA) (27 June 1999)
    $169,969 (USA) (20 June 1999)
    $124,652 (USA) (13 June 1999) (re-issue)
    $94,526 (USA) (6 June 1999) (re-issue)
    $81,615 (USA) (30 May 1999) (re-issue)
    $36,001 (USA) (16 May 1999)
    $13,576 (USA) (9 May 1999) (re-issue)

  Weekend Box Office Gross:
    £13,345 (UK) (25 July 1999) (4 screens)
    £17,856 (UK) (18 July 1999) (4 screens)

  Studio:
    London Film Studios, Shepperton, England (UK)

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